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“It is Alito’s quarrel with Scalia’s originalist approach that is most interesting today, echoing and even amplifying his jab at oral argument in a case about violent video games last year, that “what Justice Scalia wants to know is what James Madison thought about video games.” At argument in that case, Alito went further, observing that such games represent a “new medium that cannot possibly have been envisioned when the First Amendment was ratified” and that it was “entirely artificial” to analogize the Framers’ attitudes to violent books for children to violent games. Today Alito again invokes the artifice of the Scalia approach, poking fun at his obsession with what the Framers would have done with satellites and lasers by suggesting, “It is almost impossible to think of late-18th-century situations that are analogous to what took place in this case. (Is it possible to imagine a case in which a constable secreted himself somewhere in a coach and remained there for a period of time in order to monitor the movements of the coach’s owner?)” Then to ratchet up the absurdity, Alito answers his own question in a footnote: The teensy constable scenario “would have required either a gigantic coach, a very tiny constable, or both—not to mention a constable with incredible fortitude and patience.”

U.S. v. Jones: Supreme Court Justices Alito and Scalia brawl over technology and privacy. - Slate

Sam Alito is hilarious! Who knew?

(via hellofriend)

via hellofriendlink

[Flash 9 is required to listen to audio.]

jonathanbogart:

Etta James, “Tough Lover” (1956)

via jonathanbogartlink

captainentropy:

ryanshistoryblog:
Frances Densmore recording Blackfoot chief Mountain Chief on a cylinder phonograph for the Bureau of American Ethnology, 1916

captainentropy:

ryanshistoryblog:

Frances Densmore recording Blackfoot chief Mountain Chief on a cylinder phonograph for the Bureau of American Ethnology, 1916

via captainentropylink

washingtonpoststyle:

Today, in three front pages.

Here’s how and why the photo editors at three different papers chose three different photos to illustrate the same event.

Required reading.

via washingtonpoststylelink

James Abbott Whistler, by William Merritt Chase, 1885.
I did not know that the painter of Whistler’s Mother looked like a Victorian cartoon character.

James Abbott Whistler, by William Merritt Chase, 1885.

I did not know that the painter of Whistler’s Mother looked like a Victorian cartoon character.

link

“He has done everything you can do with a cello except climb inside and ride it over Niagara Falls. But you know that if he ever did, he would totally redefine our preconceived notions of what it can sound like to plunge to your death in a cello.”

Stephen Colbert, introducing the tribute to Yo-Yo Ma at the Kennedy Center Honors last night.

(Source: washingtonpoststyle)

via washingtonpoststylelink

stilllifequickheart:

Carl Dobsky
Skull with Earbuds
2009

stilllifequickheart:

Carl Dobsky

Skull with Earbuds

2009

via stilllifequickheartlink

leitch:

peterfeld:

New York Times, November 11, 1911

I miss when people spelled it “to-day.”

leitch:

peterfeld:

New York Times, November 11, 1911

I miss when people spelled it “to-day.”

via leitchlink

ericgrau:

agentmlovestacos:

100 tacos for $100.

Well now I want to throw a taco party. What’s a taco party, you ask? I DON’T KNOW, BUT I WANT IT.

Never heard of a taco party?  Bah!

ericgrau:

agentmlovestacos:

100 tacos for $100.

Well now I want to throw a taco party. What’s a taco party, you ask? I DON’T KNOW, BUT I WANT IT.

Never heard of a taco party?  Bah!

via ericgraulink

areasofmyexpertise:

Photos from a issue of Bon Appetit, an American magazine about common French toasts and sayings.
(It’s chief rival is ZUT) 
Because I know you are interested, the turkey’s name is Virgil. 
That is all. 

Seriously tempted to go see this guy Nov. 2.

areasofmyexpertise:

Photos from a issue of Bon Appetit, an American magazine about common French toasts and sayings.

(It’s chief rival is ZUT) 

Because I know you are interested, the turkey’s name is Virgil. 

That is all. 

Seriously tempted to go see this guy Nov. 2.

via areasofmyexpertiselink

thesaxmachine:

Avant garde composer John Cage (4’33”) wrote out his scores in increasingly eccentric patterns.

“I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, ‘You’ll come to a wall you won’t be able to get through.’ So I said, ‘I’ll beat my head against that wall.’ ”

—John Cage

via captainentropylink

missfolly:

Thistle From The Sands, 1902, by Alphonse Mucha

missfolly:

Thistle From The Sands, 1902, by Alphonse Mucha

via missfollylink

Holy shit.

link

Alexander Pushkin, self-portrait, 1820s

Alexander Pushkin, self-portrait, 1820s

link

One Week // One Band: Prologue

oneweekoneband:

Hey, all! My name is David, and this week I’ll be hijacking, er, “curating” OWOB with a feature on the band Gentle Giant.

For the curious and impatient, here’s some raw stats on the group: English progressive rock, active 1970-1980, 6 members (became 5), 3 brothers (became 2), 11 studio albums, 0 hits, and a few rabid fans left to show for it.  Their lack of commercial success was due primarily to the brand of music they played - an extraordinary complex, uncompromising, thorny, and dissonant variety of prog.  Yes, it’s going to be a lovely week indeed.

But what you get in exchange, I’d argue, makes it worth it.  Namely, among other things - 

1. Mind-bending genre hopping (and genre twisting) over those 11 years, everything from hard rock to british blues to jazz to 20th century classical music all put through a fine filter of weirdness.

2. Incredible musicianship, and I really do mean incredible - all the band members sang and played multiple instruments at a professional level (guitars, keyboards, trumpet, sax, xylophone, violin, and cello to name a few) and would often switch instruments with one another mid-concert!

3. A real sense of humor, believe it or not, which was a prized rarity among 70s prog acts.  The band was dead serious (and very pretentious) about their music, but very playful within it.  The end result of all this is

4. An utterly unique sort of music within the rock canon.  No one has sounded or ever will sound like this band.  It just takes a little work (and a fair amount of tolerance) for the listener to get there.

Finally, a quick but necessary disclaimer, if only for my own sanity.  In case you’ve somehow not noticed by now, I am not a great or natural or polished writer like so many of this site’s previously featured authors.  I’m hoping to make up in enthusiasm what I lack in ability, but things might get rough out there.  I ask for your patience and understanding.

If you have any feedback, comments, or criticisms, I’d love love love for you to shoot me a line here.

On with the show!

So this is happening.

via oneweekonebandlink